Some Frightening Dingbat (sanspoof) wrote,
Some Frightening Dingbat

The Movie Backlog, Part Three

The Magician (1958), Ingmar Bergman. Nov 27, 6pm. View count: One.
Labyrinth (1986), Jim Henson. Dec 8, 8pm. View count: Eightish?
The Princess Bride (1987), Rob Reiner. Dec 8, 11pm. View count: Also eightish? I should probably just say "a bunch."
High Fidelity (2000), Stephen Frears. Dec 12, 1pm. View count: One.

The Magician is a little light for Bergman, really. It's about a travelling troupe of performers, who have magic as a theme, and their arrival at and departure from a little town. Decidedly worth watching, and surprising in several ways; it's quite difficult to be sure of how much in the way of supernatural activity is actually occurring until the plot has progressed to the end. All the old favorite Bergman touches are generally present, adding up nicely to a pretty well-rounded story. With depth and complexity, yet still occasionally flip, it's an unusual one. I was quite pleased by it.

Labyrinth is, as it always is, pleasant to watch. A lot of love was put into this movie, and even if it's so gentle as to seem toothless, I still enjoy it. Watching with friends is recommended. Also, the blu-ray makes it apparent that Jareth's grey stretch-pants have sparkles on them.
Also also, this.

Princess Bride is another childhood favorite, which does hold up, I was pleased to note. As advertised, it has everything ("Fencing. Fighting. Torture. Poison [...]"). And I don't think that Cary Elwes will ever see its like again. I was struck this time by how lame the Princess is as a character, but, eh. What else is new. Most other aspects I've essentially memorized, so it's hard to think about them critically.

High Fidelity I'd never seen, due to an idea that it was a wallowy, disaffected man-child movie. Which is is in a way, but it actually was not unamusing. I got some fun out of it, and even Jack Black can't take that away. (I am not usually very much in favor of Jack Black.) I ended up amusing myself by thinking of the whole story as a typically self-absorbed memory belonging to someone semi-functional like Dr. Venture, in which light it sorta worked. The whole thing had such a strong perspective that it encouraged this, I think. The specific viewpoint may have been the most successful thing about it.
Tags: 2010 movies

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